By Brent C. Sleasman
The lifestyles and paintings of Albert Camus presents perception into tips on how to navigate via an absurd historic second. Camus's function as a journalist, playwright, actor, essayist, thinker, and novelist allowed him to interact a posh global in numerous capacities and supply an array of interpretations of his time. Albert Camus presents perception into how you can reap the benefits of hearing correct voices from past generations. you will need to permit the time to get to grips with those that sought solutions to comparable questions which are being requested. For Camus, this intended studying how others engaged an absurd ancient second. For these looking anwers, this suggests hearing the voice of Albert Camus, as he represents the nearest historic standpoint on tips on how to make experience of an international that has significantly replaced when you consider that either international Wars of the 20th century. this can be an intentional selection and basically comes via an funding of time and effort within the rules of others. just like Albert Camus's time, this is often an age of absurdity; an age outlined through contradiction and lack of religion within the social practices of the previous. while residing in the sort of time, one could be tremendously educated through searching out these passionate voices who've came across a fashion regardless of comparable situations. Many voices from such moments in human background supply first-hand insights into easy methods to navigate the sort of time. Camus presents an instance of somebody operating from a confident standpoint, as he used to be prepared to attract upon the idea of many contemporaries and nice thinkers from the prior whereas attractive his personal time in background. because the first book-length learn of Camus to situate his paintings in the research of conversation ethics and philosophy of verbal exchange, Brent C. Sleasman is helping readers reinterpret Camus' paintings for the twenty-first century. in the creation, Camus' exploration of absurdity is located as a metaphor for the postmodern age. the 1st bankruptcy then explores the communicative challenge that Camus introduced with the book of The Fall--a challenge that also resonates over 50 years after its preliminary ebook. within the chapters that keep on with different metaphors that emerge from Camus' paintings are reframed with a purpose to support the reader in responding to the issues that emerge whereas dwelling of their personal age of absurdity. each one metaphor is rooted within the modern scholarship of the communique self-discipline. via this learn it turns into transparent that Camus used to be an implicit thinker of verbal exchange with deep moral commitments. Albert Camus's Philosophy of communique: Making feel in an Age of Absurdity is a vital ebook for somebody attracted to realizing the communicative implications of Camus' paintings, particularly upper-level undergraduates, graduate scholars, and school.
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Extra info for Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity
Although this series was written before the novel The Fall, in many ways it appears that Camus was able to suggest some answers before he was able to clearly articulate the problem. In order to make sense of how existential rebellion offers an answer to the concerns in the previous chapter, I first define the metaphor of the unity of contraries in relation to the wider concerns of this chapter. Second, in an investigation of the central texts of this cycle of work (The Plague, The Just Assassins, and The Rebel), this chapter explores Camus’s understanding of rebellion as an ethical response to the experience of existential homelessness in an age of absurdity.
In an age of contention over narrative and virtue structures, “narrative remnants” often remain in place of a guiding metanarrative (Arnett and Arneson 89), pieces of previous stories that once guided public life. Clamence is, in the words of Arnett and Arneson, “still story-informed by the narrative remnant” (89) while he lives and works as a judge-penitent in the Amsterdam bar. The notion of the absurd makes sense in a time of competing narrative remnants because one recognizes that one’s actions may not be right, The Fall 31 but one is nevertheless incapable of discerning the correct action.
Once they arrive at the point of vocalizing their concerns, he believes his work is completed. Clamence believes that by hearing the confessions of others, he moves into a morally superior position that allows him to live with himself in spite of the inner anguish he experiences—anguish that can be viewed as a consequence of living in an age of absurdity. The absurdity of his own existence is illustrated through the story Clamence tells of the events leading to his own fall. There was no reason why Clamence chose to cross one particular bridge at one particular time on the evening when he heard the woman fall into the water.