By Hunter S. Thompson
"Hunter S. Thompson is to drug-addled, stream-of-consciousness, psycho-political black humor what Forrest Gump is to fool savants."
--The Philadelphia Inquirer
Since his 1972 trailblazing opus, worry and Loathing at the crusade path, Hunter S. Thompson has suggested the election tale in his really inimitable, just-short-of-libel type. In higher than intercourse, Thompson hits the dusty path again--without leaving home--yet manages to bring a mind-bending view of the 1992 presidential campaign--in all of its horror, sacrifice, lust, and doubtful glory. whole with faxes despatched to and bought by means of candidate Clinton's most sensible aides, and 100% natural gonzo screeds on Richard Nixon, George Bush, and Oliver North, here's the main true-blue crusade tell-all ever penned by means of guy or beast.
"[Thompson] supplies yet one more of his trademark cocktail mixes of incredible stories and darkish observations in regards to the sausage grind that's the U.S. presidential sweepstakes. choked with selfish anecdotes, musings and reprints of memos, faxes and scrawled handwritten notes (Memorable."
--Los Angeles day-by-day News
"What endears Hunter Thompson to a person who reads him is that he'll say what others are afraid to (.[He] is a grasp on the not going yet consistently telling line that sums up a political determine (.In a 12 months whilst all politics is--to a lot of the public--a tendentious and pompous bore, it's time to learn Hunter Thompson."
"While Tom Wolfe mastered the means of being a fly at the wall, Thompson mastered the artwork of being a fly within the ointment. He made himself part of each tale, made no apologies for it and therefore produced way more sincere reporting than any crusading member of the Fourth property (. Thompson isn't afraid to take the difficult drugs, neither is he bashful approximately dishing it out (.He continues to be king of beasts, and his apocalyptic prophecies seldom leave out their target."
"This is a really, very humorous ebook. not anyone can ever fit Thompson within the vitriol division, and almost not anyone escapes his wrath."
--The Flint magazine
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Extra resources for Better Than Sex: Confessions of a Political Junkie (Gonzo Papers, Volume 4)
MNH Ambient news A phrase used by Ian Hargreaves in his book Journalism: Truth or Dare? to signal that the availability of relatively cheap digital technology, combined with the growing economic, political and cultural value of information, have made news more accessible to audiences, to the point where it is omnipresent or ‘ambient’ (Hargreaves, 2003: 3). Audiences’ greatly enhanced access to news reflects: (1) the increased number of media platforms, especially the development of the Internet; (2) access to approximately 250 digital radio and television channels with the consequent increase in news provision; (3) the greater range of news and depth of journalistic analysis offered by the Internet and online newspapers; (4) the availability of news for 24 hours each day instead of being limited to the set times of the evening television news bulletins or the publishing schedules of newspapers; and (5) the relatively cheap cost – and widespread use – of information technologies such as personal computers and mobile phones.
Finally, Woolmar’s definition notes that censorship is a function of all governments no matter how Liberal, especially in times of war (Miller, 2003). htm, and Sadler, 2001), the restrictions imposed by the Official Secrets Act (Ponting, 1988: 15) and, occasionally, the formal censorship of news agencies forbidding them from reporting particular events and processes such as the political problems and paramilitary campaigns in Northern Ireland. On 19 October 1988, the Home Secretary announced that 11 political and paramilitary groups in Northern Ireland, including the legally constituted party Sinn Fein, were to be banned from television and radio but, curiously, not from newspapers (Article 19, 2000).
In the case of British broadsheet newspapers, Worcester has claimed: ‘Hardly anything so divides the British by class as does their newspaper reading habits. [In] 1993, of the middle class households, eight in ten (79 per cent) read the so-called “quality” papers and only one in five (21 per cent) working class adults did’ (1998: 41). As a consequence of their coverage, tone and readers, broadsheet newspapers have historically been regarded, both by journalists and readers, as the epitome of journalistic excellence.