By Susan Ruddick Bloom
For those who already understand your method round Photoshop and Painter and wish to exploit those impressive courses to take your talents additional, this e-book is for you! even more than an easy "how-to" advisor, Susan Ruddick Bloom takes you on a full-fledged trip of the mind's eye and exhibits you the way to create great works of excellent artwork. Supplemented by way of the paintings of 20+ international popular artists as well as Sue's personal masterpieces, you are going to the right way to create watercolors, black and white pencil sketches, texture collages, gorgeous real looking and fantastical collages, and a lot more, all out of your unique photos. while you are desirous to dive into the area of electronic paintings yet want a refresher at the fundamentals, turn to Sue's crucial innovations bankruptcy to sweep up in your Photoshop and Painter abilities, and you will be in your method very quickly. no matter if you are a beginner or a longtime electronic artist, you will discover extra artistic rules during this booklet than you may ever think. totally up to date for brand spanking new types of Painter and Photoshop and together with fresh paintings from modern artists, electronic university and portray presents all of the notion you must carry your inventive imaginative and prescient to mild. * jam-packed with unique, beautiful imagery via many of the industry's major artists to encourage creativity on your personal paintings* the way to create tremendous panoramas with no breaking the financial institution on expensive apparatus* contains step by step initiatives and hyperlinks to downloadable pictures so that you can commence practising instantly
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Extra info for Digital Collage and Painting, Second Edition: Using Photoshop and Painter to Create Fine Art
Inspiration 35 Figure 3-8 Difference 100% blend mode and Overlay 34% blend mode Figure 3-9 Normal 100% blend mode I used the Overlay 100% blend mode so the underlying text color shifted from gold to red. To bring the eyes to the surface, I duplicated that layer, worked more in the mask, and chose the Normal 100% blend mode. tif ﬁle. psd ﬁle allows me to make additional changes if needed. Figure 3-10 “Apologia” eyes (Overlay 100%) and “Apologia” eyes mask (Overlay 100%) 36 Digital Collage and Painting Figure 3-11 Apologia eyes (Normal 100%) and Apologia eyes mask (Normal 100%) Each of the double-page spreads was worked on side by side but kept separate because the pages were to be printed separately and double-fan or perfect bound.
Now I had an extremely soft image with all four layers and I knew I needed to add something with a lot of sharpness for contrast. ) Next I opened “Cyclamen Scan,” an image created from a scan of spent cyclamen ﬂowers. The ﬂowers were scanned at high resolution using my Epson Perfection® 4490 Photo Scanner with the output set to 20 (h) ϫ 15 (w) at 300 dpi (6000 ϫ 4500). The scanned image is sharp so it can handle being enlarged with out losing details such as the pollen. The cyclamen image was copied and pasted to the Train Window ﬁle.
In the substrate detail you can see the layers of paint, creamy yellow and black, with iridescent silver and pearlescent inkAID on the top. tif I wanted the white of the ﬂowers to pop and not be silver or pearl like the precoated substrate, so in the areas where the ﬂowers would print I painted that area with white matte inkAID.