By Ross Hoddinott
During this name, gear and easy strategies are essentially defined. it's a finished advisor and technical phrases are demystified in Jargon Busting bins. topics together with bugs, reptiles, wildflowers and artifical textures mentioned with beautiful instance pictures Ross Hoddinott has thoroughly revised, and likewise extended upon, his highly profitable electronic Macro images (9781861085306). This e-book takes you on a massive trip into the macro international the place you will see bugs that appear like extraterrestrial beings, the hidden symmetries of vegetation or the in most cases invisible workings of a laptop blown-up to large proportions. Technical phrases, the fundamental ideas and the way to get the easiest out of your digital camera are all defined in an immediate and easy-to-follow manner. making a choice on your matters, lighting fixtures them and post-camera processing are all coated within the related obtainable means, followed by way of gorgeous instance pictures and beneficial assistance.
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Extra resources for Digital Macro & Close-up Photography
Don’t underestimate the power of negative space. Intentionally leaving a degree of breathing space around your subject can help create a better feeling of context, scale and size. Simplicity is often key to achieving a memorable image. If you try to cram too much detail into your shots, they will grow overly and needlessly complex and the image’s impact will be reduced. 52 Exclude anything from the frame that isn’t adding to the shot and always scrutinize backgrounds thoroughly (page 87). Shape and form can prove excellent compositional aids.
Also, Raynox and Micro Tech Labs are among the companies to introduce a new range of high magniﬁcation dioptres. Close-up ﬁlters work by shifting the camera’s plane of focus from inﬁnity to the distance corresponding to the focal length of the closeup lens attached. Their level of magniﬁcation is measured in dioptres – a unit you might be familiar with from visits to an optician. They are convex meniscus-type lenses, which means that they are thicker in the middle than at the edges, and are usually a single-element construction.
This is when the subject is captured as an inky black outline, without colour or detail, against a lighter background – for example, water or sky. A silhouetted subject can make a powerful and striking image. The technique relies on the subject being grossly underexposed, so to achieve the effect, meter correctly for the subject’s brighter background. To work in silhouette, your subject should have a strong, instantly recognizable outline. Although it can be more difﬁcult to identify suitable subjects to silhouette when shooting close-ups, when combined with the right object, results can be truly eye-catching.