By Tom Ang
Up-to-date with the newest ideas and most modern gear, Digital images: An Introduction is now larger than ever. starting digital camera fanatics and images scholars will welcome studying the newest within the box: monitor photographs were up-to-date from OS9 to OS10, and a wealth of latest photographs and knowledge light up every thing readers want to know to take wonderful electronic pictures.
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Extra resources for Digital Photography: An Introduction (4th Edition)
Fortunately, it is easy to hold the ﬂash so that it lights a portrait subject from about 45 degrees. This oblique lighting brings out the form of the face or body; here giving shape to the nose, cheeks, and chin. 47 48 C O R E S KIL L S ELECTRONIC FLASH CONTINUED HINTS AND TIPS If you are new to working with studio ﬂash and accessories, you might ﬁnd it useful to bear the following points in mind: ▪ As a general rule, always use as few units as possible to achieve the desired lighting effects. Start with one light only and use reﬂectors to control the quality of the illumination reaching your subject.
But the total effect is amiable rather than unpleasant. 29 30 C O R E S KIL L S COLOR COMPOSITION Color can be used to express emotion in an image. Pale, soft colors are restful and tranquil, while rich, vibrant colors burst with energy and demand attention. Color is integral to visual experience, but in photography it is almost a separate subject in itself. The basis of successful color photography is to use color in its own right, instead of merely capturing the many hues of a scene. Color as subject One approach is to photograph colors themselves rather than the objects they imbue—that is, to try to treat the subject as if it were the incidental feature in the scene.
As a consequence, the background has been rendered black. This type of result is seldom attractive, nor does it display any sound photographic technique. often warmer color of the ambient light—which can be eyecatching. Second, try using a reﬂector on the shadow side of the subject. If angled correctly, it will pick up some light from the ﬂash and bounce it into the shadows. Any light-colored material can be used as a reﬂector—a piece of white paper or card, a white sheet, or a shirt. Professional photographers like to use a round, ﬂexible reﬂector that can be twisted to a third of its full size when not in use.