By Douglas Allen Box
Usually overshadowed by way of complex lighting fixtures concepts or complicated postproduction counsel, this source seeks to remind the pro photographer of the elemental significance of a subject's pose. very easily designed in two-page spreads-a impressive portrait on one facet, a complete how-to of the techniques used at the other-this reference contains numerous thoughts for studio periods in addition to outdoors and placement shoots, with participants or teams, male or lady consumers, and in sitting, status, or mendacity poses. With recommendation from a well known and revered expert, it covers the entire fundamentals, exhibiting how you can emphasize a client's resources and downplay perceived flaws, tips to create a cohesive, enticing team picture, the way to use average components on position to reinforce a picture, and the way to make sure that the end result flatters the topic and provides the basic specialist polish to a picture.
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Additional resources for Doug Box's Guide to Posing for Portrait Photographers
Everest corresponds to about 100 feet per bit and would not not show most of Florida as distinct from sea level. With 2 bytes per pixel (65,536 values) each bit represents about 6 inches and the map can distinguish the curbs along most streets. With 4 bytes per pixel (4 billion values) each bit corresponds to less than 200 µm, and the roughness of sand on a beach can be recorded. In some cases with cameras having a large brightness range, the entire 12- or 14-bit depth of each pixel is stored. However, since this depth exceeds the capabilities of most CRTs to display, or of the user to see or print, reduction may be appropriate.
The camera may be tethered directly to a computer, but in many cases it is more practical to record the images to memory chips that are later downloaded to the computer. , are providing capabilities that compete with traditional 35mm and larger film cameras. Every manufacturer of cameras has recognized the shift away from film and toward digital recording, and an incredibly wide variety of cameras is now available, with new developments appearing frequently. The benefits of a camera with a large number of sensors (high pixel count), as well as large individual sensors (large well size and consequent high dynamic range), seem obvious and desirable.
Rather than a two-dimensional array of detectors, it is also possible to use a linear array (or sometimes three, one each with red, green, and blue filters) that is swept across the image plane to acquire the data. This method is common in desk-top scanners (which for many applications are perfectly usable image acquisition devices). It has also been used in studio cameras, and some light microscopes accomplish the same thing by moving the stage and specimen under the optics so that an image of an entire 1 × 3 inch slide can be obtained with high spatial resolution.