Praised as "the final vintage freelance photographer" via photohistorian Helmut Gernsheim and as "a precise 'Old Master' of the reflex camera" through critic Norman Rothschild, Fritz Henle (1909–1993) was once one of many maximum photographers of the mid-twentieth century. not like so much of his friends who really good in a selected style or variety of images, Henle ranged generally and effectively throughout many genres, together with documentary, go back and forth, model, advertisement, portrait, big name, avant-garde, nude, commercial, panorama, and inspirational, to call just a couple of. He championed the sq. structure images of the Rolleiflex twin-lens reflex digital camera, turning into recognized later in lifestyles as "Mr. Rollei." A grasp craftsman well known for unparalleled approach and striking composition, Henle used to be a prolific artist who released greater than twenty books of his paintings, from this can be Japan (1937) to Casals (1975). past his mastery of the craft, notwithstanding, Henle was once pushed by means of a lifelong urge "to exhibit humans beauty." "I am obsessed," he stated, "by displaying them beauty."
This quantity is of a big retrospective exhibition of the existence and occupation of Fritz Henle staged through the Harry Ransom middle on the collage of Texas at Austin. It covers the full variety of Henle's paintings, together with major goods from the photographer's archive and relations. reproduces 127 of Henle's black-and-white and colour images, which illustrate Henle's mastery of either media. Curator Roy Flukinger's textual content covers the complete arc of Henle's occupation, from his early education in Germany to his prewar travels and images within the Mediterranean, India, China, and Japan; his freelance paintings for all times journal; his model editorials for Harper's Bazaar, Mademoiselle, and city and nation; and his later images and books of photos of Mexico, Hawaii, Europe, and his ultimate domestic, the U.S. Virgin Islands. an in depth bibliography of Henle's courses and exhibitions, collections that personal his paintings, and significant statement on Henle's images completes this quantity.
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Additional info for Fritz Henle: In Search of Beauty
Ca. 1944. I N S E A R C H O F B E A U T Y 91 (left) Cleaning Lady in Museum of Modern Art, New York City. 1948. (above) Opening Night of New Exhibition at Museum of Modern Art, New York City. ca. 1948. 92 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 93 For Saving Men: Street Preacher, New York City. ca. 1946. 94 I N S E A R C H O F B E A U T Y Central Park South in the Winter, New York City. 1950. 96 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 97 (above) Lower Manhattan from the Brooklyn Bridge, New York City.
1945. Gala Evening at the Met, New York City. ca. 1950. I N S E A R C H O F B E A U T Y 109 Freedom: Yucca Plant, New Mexico. ca. 1943 110 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 111 Cowboys and Oil Derrick, Texas. 1949. 112 I N S E A R C H O F B E A U T Y Grand Canyon, Arizona. 1941. 114 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 115 Wyoming Ranch. 1940. 116 I N S E A R C H O F B E A U T Y (left) Women Washing, Taxco, Mexico. 1943. (above) Factory Worker, Mexico.
CHESTERTON The Art Critic, Washington Square, New York City. 1947. 68 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 69 Thomas Jefferson High School: Lariat Girls, San Antonio, Texas. 1938. Thomas Jefferson High School: ROTC Students, San Antonio, Texas. 1938. I N S E A R C H O F B E A U T Y 71 Thomas Jefferson High School: Graduation Party, San Antonio, Texas. 1938. 72 I N S E A R C H O F B E A U T Y I N S E A R C H O F B E A U T Y 73 The Woman and the God, Paris, France. 1938.